The DS Project |

    The DS Project: Image, Text, Space/Place, 1830-2015.

    For David Scott, curated and edited by Sinéad Furlong-Clancy.

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    © The DS Project 2015

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      INDEX

      Lissia Amach  —  Le Détournement du Mythe de Salomé chez Claude Cahun

       

      Alan English  —  ‘Mais où va donc mon sonnet ?’: Verlaine and the Fixed Form of Petrarch

       

      Robin Fuller  —  David Scott’s Semiotics

       

      Sinéad Furlong-Clancy  —  Fashion and the Painting of Parisian Modernity: New academic and curatorial perspectives

       

      Elizabeth Geary Keohane  —  Ekphrastic reimaginings of Landscape with the Fall of Icarus: Revisiting Butor through Auden and Williams

       

      Sarah Gubbins  —  Reading the Tarot in Nerval’s La Main enchantée

       

      Mags Harnett  —  ‘M’introduire dans ton histoire’ / ‘Let me come into your story’

       

      Benoît Heilbrunn  —  La Liquéfaction de la marque

       

      Gillian Jein  —  (De)Facing the Suburbs: Street Art and the Politics of Spatial Affect in the Paris banlieues

       

      Greg Kerr  —  Peter Rice: Performing Instability

       

      Robert Kilroy  —  Manet’s Selfie and the Baudelairean Parallax

       

      Áine Larkin  —  Fowl Murder and Art in Marcel Proust’s À la recherche du temps perdu

       

      Claudio Sansone  —  The Boxing Match in the Argonautica of Apollonius of Rhodes

       

      Maria Scott  —  Deciphering the Gaze in Lacan’s ‘Of the Gaze as Objet Petit a’

       

      Luke Sheehan  —  Twelve Stones Thrown

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      INDEXFriday, June 12, 2015Alex Bradley