Lissia Amach — Le Détournement du Mythe de Salomé chez Claude Cahun
Alan English — ‘Mais où va donc mon sonnet ?’: Verlaine and the Fixed Form of Petrarch
Robin Fuller — David Scott’s Semiotics
Sinéad Furlong-Clancy — Fashion and the Painting of Parisian Modernity: New academic and curatorial perspectives
Elizabeth Geary Keohane — Ekphrastic reimaginings of Landscape with the Fall of Icarus: Revisiting Butor through Auden and Williams
Sarah Gubbins — Reading the Tarot in Nerval’s La Main enchantée
Mags Harnett — ‘M’introduire dans ton histoire’ / ‘Let me come into your story’
Benoît Heilbrunn — La Liquéfaction de la marque
Gillian Jein — (De)Facing the Suburbs: Street Art and the Politics of Spatial Affect in the Paris banlieues
Greg Kerr — Peter Rice: Performing Instability
Robert Kilroy — Manet’s Selfie and the Baudelairean Parallax
Áine Larkin — Fowl Murder and Art in Marcel Proust’s À la recherche du temps perdu
Claudio Sansone — The Boxing Match in the Argonautica of Apollonius of Rhodes
Maria Scott — Deciphering the Gaze in Lacan’s ‘Of the Gaze as Objet Petit a’
Luke Sheehan — Twelve Stones Thrown
