David Scott’s SemioticsRobin FullerDeciphering the Gaze in Lacan’s ‘Of the Gaze as Objet Petit a’Maria ScottThe Boxing Match in the Argonautica of Apollonius of RhodesClaudio SansoneFashion and the Painting of Parisian Modernity: New academic and curatorial perspectivesSinéad Furlong-ClancyPeter Rice: Performing InstabilityGreg KerrTwelve Stones ThrownLuke SheehanLa Liquéfaction de la marqueBenoît HeilbrunnEkphrastic reimaginings of Landscape with the Fall of Icarus: Revisiting Butor through Auden and WilliamsElizabeth Geary Keohane‘M’introduire dans ton histoire’ / ‘Let me come into your story’Mags HarnettManet’s Selfie and the Baudelairean ParallaxRobert KilroyLe Détournement du Mythe de Salomé chez Claude CahunLissia Amach(De)Facing the Suburbs[1]: Street Art and the Politics of Spatial Affect[2] in the Paris banlieuesGillian Jein‘Mais où va donc mon sonnet ?’: Verlaine and the Fixed Form of PetrarchAlan EnglishFowl Murder and Art in Marcel Proust’s À la recherche du temps perduÁine LarkinReading the Tarot in Nerval’s La Main enchantéeSarah GubbinsHOMEFriday, June 12, 2015Alex Bradley
