Ekphrastic reimaginings of Landscape with the Fall of Icarus: Revisiting Butor through Auden and WilliamsElizabeth Geary KeohaneManet’s Selfie and the Baudelairean ParallaxRobert KilroyFashion and the Painting of Parisian Modernity: New academic and curatorial perspectivesSinéad Furlong-ClancyTwelve Stones ThrownLuke Sheehan‘M’introduire dans ton histoire’ / ‘Let me come into your story’Mags HarnettDeciphering the Gaze in Lacan’s ‘Of the Gaze as Objet Petit a’Maria ScottPeter Rice: Performing InstabilityGreg Kerr(De)Facing the Suburbs[1]: Street Art and the Politics of Spatial Affect[2] in the Paris banlieuesGillian JeinThe Boxing Match in the Argonautica of Apollonius of RhodesClaudio SansoneReading the Tarot in Nerval’s La Main enchantéeSarah GubbinsLa Liquéfaction de la marqueBenoît Heilbrunn‘Mais où va donc mon sonnet ?’: Verlaine and the Fixed Form of PetrarchAlan EnglishDavid Scott’s SemioticsRobin FullerLe Détournement du Mythe de Salomé chez Claude CahunLissia AmachFowl Murder and Art in Marcel Proust’s À la recherche du temps perduÁine LarkinHOMEFriday, June 12, 2015Alex Bradley