‘Mais où va donc mon sonnet ?’: Verlaine and the Fixed Form of PetrarchAlan EnglishFowl Murder and Art in Marcel Proust’s À la recherche du temps perduÁine LarkinManet’s Selfie and the Baudelairean ParallaxRobert KilroyDeciphering the Gaze in Lacan’s ‘Of the Gaze as Objet Petit a’Maria Scott‘M’introduire dans ton histoire’ / ‘Let me come into your story’Mags Harnett(De)Facing the Suburbs[1]: Street Art and the Politics of Spatial Affect[2] in the Paris banlieuesGillian JeinDavid Scott’s SemioticsRobin FullerLa Liquéfaction de la marqueBenoît HeilbrunnFashion and the Painting of Parisian Modernity: New academic and curatorial perspectivesSinéad Furlong-ClancyPeter Rice: Performing InstabilityGreg KerrThe Boxing Match in the Argonautica of Apollonius of RhodesClaudio SansoneLe Détournement du Mythe de Salomé chez Claude CahunLissia AmachEkphrastic reimaginings of Landscape with the Fall of Icarus: Revisiting Butor through Auden and WilliamsElizabeth Geary KeohaneReading the Tarot in Nerval’s La Main enchantéeSarah GubbinsTwelve Stones ThrownLuke SheehanHOMEFriday, June 12, 2015Alex Bradley
