Peter Rice: Performing InstabilityGreg KerrFowl Murder and Art in Marcel Proust’s À la recherche du temps perduÁine Larkin‘Mais où va donc mon sonnet ?’: Verlaine and the Fixed Form of PetrarchAlan EnglishEkphrastic reimaginings of Landscape with the Fall of Icarus: Revisiting Butor through Auden and WilliamsElizabeth Geary KeohaneTwelve Stones ThrownLuke SheehanReading the Tarot in Nerval’s La Main enchantéeSarah GubbinsDavid Scott’s SemioticsRobin FullerLe Détournement du Mythe de Salomé chez Claude CahunLissia AmachThe Boxing Match in the Argonautica of Apollonius of RhodesClaudio SansoneFashion and the Painting of Parisian Modernity: New academic and curatorial perspectivesSinéad Furlong-ClancyLa Liquéfaction de la marqueBenoît Heilbrunn‘M’introduire dans ton histoire’ / ‘Let me come into your story’Mags Harnett(De)Facing the Suburbs[1]: Street Art and the Politics of Spatial Affect[2] in the Paris banlieuesGillian JeinDeciphering the Gaze in Lacan’s ‘Of the Gaze as Objet Petit a’Maria ScottManet’s Selfie and the Baudelairean ParallaxRobert KilroyHOMEFriday, June 12, 2015Alex Bradley
