Reading the Tarot in Nerval’s La Main enchantéeSarah GubbinsEkphrastic reimaginings of Landscape with the Fall of Icarus: Revisiting Butor through Auden and WilliamsElizabeth Geary KeohaneFashion and the Painting of Parisian Modernity: New academic and curatorial perspectivesSinéad Furlong-ClancyThe Boxing Match in the Argonautica of Apollonius of RhodesClaudio SansoneDeciphering the Gaze in Lacan’s ‘Of the Gaze as Objet Petit a’Maria ScottPeter Rice: Performing InstabilityGreg KerrTwelve Stones ThrownLuke Sheehan‘M’introduire dans ton histoire’ / ‘Let me come into your story’Mags Harnett(De)Facing the Suburbs[1]: Street Art and the Politics of Spatial Affect[2] in the Paris banlieuesGillian JeinDavid Scott’s SemioticsRobin FullerManet’s Selfie and the Baudelairean ParallaxRobert KilroyFowl Murder and Art in Marcel Proust’s À la recherche du temps perduÁine LarkinLe Détournement du Mythe de Salomé chez Claude CahunLissia Amach‘Mais où va donc mon sonnet ?’: Verlaine and the Fixed Form of PetrarchAlan EnglishLa Liquéfaction de la marqueBenoît HeilbrunnHOMEFriday, June 12, 2015Alex Bradley
