Ekphrastic reimaginings of Landscape with the Fall of Icarus: Revisiting Butor through Auden and WilliamsElizabeth Geary KeohaneTwelve Stones ThrownLuke SheehanLe Détournement du Mythe de Salomé chez Claude CahunLissia Amach‘M’introduire dans ton histoire’ / ‘Let me come into your story’Mags HarnettFowl Murder and Art in Marcel Proust’s À la recherche du temps perduÁine LarkinLa Liquéfaction de la marqueBenoît HeilbrunnDavid Scott’s SemioticsRobin FullerPeter Rice: Performing InstabilityGreg Kerr‘Mais où va donc mon sonnet ?’: Verlaine and the Fixed Form of PetrarchAlan EnglishThe Boxing Match in the Argonautica of Apollonius of RhodesClaudio SansoneDeciphering the Gaze in Lacan’s ‘Of the Gaze as Objet Petit a’Maria Scott(De)Facing the Suburbs[1]: Street Art and the Politics of Spatial Affect[2] in the Paris banlieuesGillian JeinFashion and the Painting of Parisian Modernity: New academic and curatorial perspectivesSinéad Furlong-ClancyReading the Tarot in Nerval’s La Main enchantéeSarah GubbinsManet’s Selfie and the Baudelairean ParallaxRobert KilroyHOMEFriday, June 12, 2015Alex Bradley
