‘M’introduire dans ton histoire’ / ‘Let me come into your story’Mags HarnettReading the Tarot in Nerval’s La Main enchantéeSarah GubbinsLe Détournement du Mythe de Salomé chez Claude CahunLissia AmachThe Boxing Match in the Argonautica of Apollonius of RhodesClaudio SansoneManet’s Selfie and the Baudelairean ParallaxRobert Kilroy‘Mais où va donc mon sonnet ?’: Verlaine and the Fixed Form of PetrarchAlan EnglishTwelve Stones ThrownLuke SheehanDeciphering the Gaze in Lacan’s ‘Of the Gaze as Objet Petit a’Maria ScottLa Liquéfaction de la marqueBenoît HeilbrunnFowl Murder and Art in Marcel Proust’s À la recherche du temps perduÁine LarkinPeter Rice: Performing InstabilityGreg Kerr(De)Facing the Suburbs[1]: Street Art and the Politics of Spatial Affect[2] in the Paris banlieuesGillian JeinDavid Scott’s SemioticsRobin FullerFashion and the Painting of Parisian Modernity: New academic and curatorial perspectivesSinéad Furlong-ClancyEkphrastic reimaginings of Landscape with the Fall of Icarus: Revisiting Butor through Auden and WilliamsElizabeth Geary KeohaneHOMEFriday, June 12, 2015Alex Bradley
