Le Détournement du Mythe de Salomé chez Claude CahunLissia AmachEkphrastic reimaginings of Landscape with the Fall of Icarus: Revisiting Butor through Auden and WilliamsElizabeth Geary KeohaneThe Boxing Match in the Argonautica of Apollonius of RhodesClaudio SansoneReading the Tarot in Nerval’s La Main enchantéeSarah GubbinsDeciphering the Gaze in Lacan’s ‘Of the Gaze as Objet Petit a’Maria ScottFashion and the Painting of Parisian Modernity: New academic and curatorial perspectivesSinéad Furlong-Clancy‘M’introduire dans ton histoire’ / ‘Let me come into your story’Mags HarnettPeter Rice: Performing InstabilityGreg KerrFowl Murder and Art in Marcel Proust’s À la recherche du temps perduÁine LarkinDavid Scott’s SemioticsRobin Fuller‘Mais où va donc mon sonnet ?’: Verlaine and the Fixed Form of PetrarchAlan English(De)Facing the Suburbs[1]: Street Art and the Politics of Spatial Affect[2] in the Paris banlieuesGillian JeinTwelve Stones ThrownLuke SheehanManet’s Selfie and the Baudelairean ParallaxRobert KilroyLa Liquéfaction de la marqueBenoît HeilbrunnHOMEFriday, June 12, 2015Alex Bradley
