The Boxing Match in the Argonautica of Apollonius of RhodesClaudio SansoneLa Liquéfaction de la marqueBenoît HeilbrunnReading the Tarot in Nerval’s La Main enchantéeSarah Gubbins‘Mais où va donc mon sonnet ?’: Verlaine and the Fixed Form of PetrarchAlan English(De)Facing the Suburbs[1]: Street Art and the Politics of Spatial Affect[2] in the Paris banlieuesGillian JeinTwelve Stones ThrownLuke SheehanDeciphering the Gaze in Lacan’s ‘Of the Gaze as Objet Petit a’Maria ScottDavid Scott’s SemioticsRobin FullerFashion and the Painting of Parisian Modernity: New academic and curatorial perspectivesSinéad Furlong-ClancyLe Détournement du Mythe de Salomé chez Claude CahunLissia AmachFowl Murder and Art in Marcel Proust’s À la recherche du temps perduÁine LarkinManet’s Selfie and the Baudelairean ParallaxRobert KilroyPeter Rice: Performing InstabilityGreg KerrEkphrastic reimaginings of Landscape with the Fall of Icarus: Revisiting Butor through Auden and WilliamsElizabeth Geary Keohane‘M’introduire dans ton histoire’ / ‘Let me come into your story’Mags HarnettHOMEFriday, June 12, 2015Alex Bradley
