‘Mais où va donc mon sonnet ?’: Verlaine and the Fixed Form of PetrarchAlan EnglishFowl Murder and Art in Marcel Proust’s À la recherche du temps perduÁine LarkinLe Détournement du Mythe de Salomé chez Claude CahunLissia AmachManet’s Selfie and the Baudelairean ParallaxRobert KilroyDavid Scott’s SemioticsRobin FullerFashion and the Painting of Parisian Modernity: New academic and curatorial perspectivesSinéad Furlong-ClancyThe Boxing Match in the Argonautica of Apollonius of RhodesClaudio SansoneLa Liquéfaction de la marqueBenoît HeilbrunnReading the Tarot in Nerval’s La Main enchantéeSarah GubbinsPeter Rice: Performing InstabilityGreg KerrDeciphering the Gaze in Lacan’s ‘Of the Gaze as Objet Petit a’Maria Scott‘M’introduire dans ton histoire’ / ‘Let me come into your story’Mags HarnettTwelve Stones ThrownLuke Sheehan(De)Facing the Suburbs[1]: Street Art and the Politics of Spatial Affect[2] in the Paris banlieuesGillian JeinEkphrastic reimaginings of Landscape with the Fall of Icarus: Revisiting Butor through Auden and WilliamsElizabeth Geary KeohaneHOMEFriday, June 12, 2015Alex Bradley
