‘Mais où va donc mon sonnet ?’: Verlaine and the Fixed Form of PetrarchAlan English‘M’introduire dans ton histoire’ / ‘Let me come into your story’Mags HarnettTwelve Stones ThrownLuke SheehanDeciphering the Gaze in Lacan’s ‘Of the Gaze as Objet Petit a’Maria ScottFowl Murder and Art in Marcel Proust’s À la recherche du temps perduÁine LarkinReading the Tarot in Nerval’s La Main enchantéeSarah GubbinsLe Détournement du Mythe de Salomé chez Claude CahunLissia AmachThe Boxing Match in the Argonautica of Apollonius of RhodesClaudio SansoneLa Liquéfaction de la marqueBenoît HeilbrunnEkphrastic reimaginings of Landscape with the Fall of Icarus: Revisiting Butor through Auden and WilliamsElizabeth Geary KeohanePeter Rice: Performing InstabilityGreg KerrFashion and the Painting of Parisian Modernity: New academic and curatorial perspectivesSinéad Furlong-ClancyDavid Scott’s SemioticsRobin Fuller(De)Facing the Suburbs[1]: Street Art and the Politics of Spatial Affect[2] in the Paris banlieuesGillian JeinManet’s Selfie and the Baudelairean ParallaxRobert KilroyHOMEFriday, June 12, 2015Alex Bradley
