David Scott’s SemioticsRobin FullerLe Détournement du Mythe de Salomé chez Claude CahunLissia Amach‘M’introduire dans ton histoire’ / ‘Let me come into your story’Mags HarnettFashion and the Painting of Parisian Modernity: New academic and curatorial perspectivesSinéad Furlong-ClancyDeciphering the Gaze in Lacan’s ‘Of the Gaze as Objet Petit a’Maria ScottPeter Rice: Performing InstabilityGreg KerrTwelve Stones ThrownLuke Sheehan(De)Facing the Suburbs[1]: Street Art and the Politics of Spatial Affect[2] in the Paris banlieuesGillian JeinFowl Murder and Art in Marcel Proust’s À la recherche du temps perduÁine LarkinLa Liquéfaction de la marqueBenoît HeilbrunnThe Boxing Match in the Argonautica of Apollonius of RhodesClaudio SansoneManet’s Selfie and the Baudelairean ParallaxRobert KilroyReading the Tarot in Nerval’s La Main enchantéeSarah Gubbins‘Mais où va donc mon sonnet ?’: Verlaine and the Fixed Form of PetrarchAlan EnglishEkphrastic reimaginings of Landscape with the Fall of Icarus: Revisiting Butor through Auden and WilliamsElizabeth Geary KeohaneHOMEFriday, June 12, 2015Alex Bradley
