‘Mais où va donc mon sonnet ?’: Verlaine and the Fixed Form of PetrarchAlan EnglishFashion and the Painting of Parisian Modernity: New academic and curatorial perspectivesSinéad Furlong-ClancyManet’s Selfie and the Baudelairean ParallaxRobert KilroyLa Liquéfaction de la marqueBenoît HeilbrunnFowl Murder and Art in Marcel Proust’s À la recherche du temps perduÁine LarkinThe Boxing Match in the Argonautica of Apollonius of RhodesClaudio Sansone(De)Facing the Suburbs[1]: Street Art and the Politics of Spatial Affect[2] in the Paris banlieuesGillian Jein‘M’introduire dans ton histoire’ / ‘Let me come into your story’Mags HarnettEkphrastic reimaginings of Landscape with the Fall of Icarus: Revisiting Butor through Auden and WilliamsElizabeth Geary KeohaneDavid Scott’s SemioticsRobin FullerDeciphering the Gaze in Lacan’s ‘Of the Gaze as Objet Petit a’Maria ScottLe Détournement du Mythe de Salomé chez Claude CahunLissia AmachReading the Tarot in Nerval’s La Main enchantéeSarah GubbinsTwelve Stones ThrownLuke SheehanPeter Rice: Performing InstabilityGreg KerrHOMEFriday, June 12, 2015Alex Bradley
