La Liquéfaction de la marqueBenoît HeilbrunnDeciphering the Gaze in Lacan’s ‘Of the Gaze as Objet Petit a’Maria Scott(De)Facing the Suburbs[1]: Street Art and the Politics of Spatial Affect[2] in the Paris banlieuesGillian JeinFashion and the Painting of Parisian Modernity: New academic and curatorial perspectivesSinéad Furlong-ClancyPeter Rice: Performing InstabilityGreg KerrThe Boxing Match in the Argonautica of Apollonius of RhodesClaudio SansoneManet’s Selfie and the Baudelairean ParallaxRobert KilroyReading the Tarot in Nerval’s La Main enchantéeSarah GubbinsLe Détournement du Mythe de Salomé chez Claude CahunLissia AmachDavid Scott’s SemioticsRobin Fuller‘Mais où va donc mon sonnet ?’: Verlaine and the Fixed Form of PetrarchAlan EnglishEkphrastic reimaginings of Landscape with the Fall of Icarus: Revisiting Butor through Auden and WilliamsElizabeth Geary KeohaneTwelve Stones ThrownLuke Sheehan‘M’introduire dans ton histoire’ / ‘Let me come into your story’Mags HarnettFowl Murder and Art in Marcel Proust’s À la recherche du temps perduÁine LarkinHOMEFriday, June 12, 2015Alex Bradley
