‘Mais où va donc mon sonnet ?’: Verlaine and the Fixed Form of PetrarchAlan EnglishLa Liquéfaction de la marqueBenoît HeilbrunnReading the Tarot in Nerval’s La Main enchantéeSarah Gubbins(De)Facing the Suburbs[1]: Street Art and the Politics of Spatial Affect[2] in the Paris banlieuesGillian JeinEkphrastic reimaginings of Landscape with the Fall of Icarus: Revisiting Butor through Auden and WilliamsElizabeth Geary KeohaneTwelve Stones ThrownLuke SheehanDeciphering the Gaze in Lacan’s ‘Of the Gaze as Objet Petit a’Maria ScottFashion and the Painting of Parisian Modernity: New academic and curatorial perspectivesSinéad Furlong-ClancyThe Boxing Match in the Argonautica of Apollonius of RhodesClaudio Sansone‘M’introduire dans ton histoire’ / ‘Let me come into your story’Mags HarnettManet’s Selfie and the Baudelairean ParallaxRobert KilroyDavid Scott’s SemioticsRobin FullerPeter Rice: Performing InstabilityGreg KerrLe Détournement du Mythe de Salomé chez Claude CahunLissia AmachFowl Murder and Art in Marcel Proust’s À la recherche du temps perduÁine LarkinHOMEFriday, June 12, 2015Alex Bradley
