David Scott’s SemioticsRobin FullerPeter Rice: Performing InstabilityGreg KerrManet’s Selfie and the Baudelairean ParallaxRobert KilroyThe Boxing Match in the Argonautica of Apollonius of RhodesClaudio Sansone‘M’introduire dans ton histoire’ / ‘Let me come into your story’Mags HarnettTwelve Stones ThrownLuke SheehanDeciphering the Gaze in Lacan’s ‘Of the Gaze as Objet Petit a’Maria ScottReading the Tarot in Nerval’s La Main enchantéeSarah GubbinsFashion and the Painting of Parisian Modernity: New academic and curatorial perspectivesSinéad Furlong-Clancy‘Mais où va donc mon sonnet ?’: Verlaine and the Fixed Form of PetrarchAlan English(De)Facing the Suburbs[1]: Street Art and the Politics of Spatial Affect[2] in the Paris banlieuesGillian JeinLe Détournement du Mythe de Salomé chez Claude CahunLissia AmachEkphrastic reimaginings of Landscape with the Fall of Icarus: Revisiting Butor through Auden and WilliamsElizabeth Geary KeohaneLa Liquéfaction de la marqueBenoît HeilbrunnFowl Murder and Art in Marcel Proust’s À la recherche du temps perduÁine LarkinHOMEFriday, June 12, 2015Alex Bradley
