Peter Rice: Performing InstabilityGreg KerrThe Boxing Match in the Argonautica of Apollonius of RhodesClaudio SansoneManet’s Selfie and the Baudelairean ParallaxRobert KilroyDeciphering the Gaze in Lacan’s ‘Of the Gaze as Objet Petit a’Maria ScottTwelve Stones ThrownLuke SheehanReading the Tarot in Nerval’s La Main enchantéeSarah GubbinsLe Détournement du Mythe de Salomé chez Claude CahunLissia Amach‘Mais où va donc mon sonnet ?’: Verlaine and the Fixed Form of PetrarchAlan EnglishDavid Scott’s SemioticsRobin FullerFashion and the Painting of Parisian Modernity: New academic and curatorial perspectivesSinéad Furlong-ClancyLa Liquéfaction de la marqueBenoît Heilbrunn‘M’introduire dans ton histoire’ / ‘Let me come into your story’Mags HarnettFowl Murder and Art in Marcel Proust’s À la recherche du temps perduÁine Larkin(De)Facing the Suburbs[1]: Street Art and the Politics of Spatial Affect[2] in the Paris banlieuesGillian JeinEkphrastic reimaginings of Landscape with the Fall of Icarus: Revisiting Butor through Auden and WilliamsElizabeth Geary KeohaneHOMEFriday, June 12, 2015Alex Bradley
