‘M’introduire dans ton histoire’ / ‘Let me come into your story’Mags HarnettManet’s Selfie and the Baudelairean ParallaxRobert KilroyReading the Tarot in Nerval’s La Main enchantéeSarah GubbinsDeciphering the Gaze in Lacan’s ‘Of the Gaze as Objet Petit a’Maria ScottFashion and the Painting of Parisian Modernity: New academic and curatorial perspectivesSinéad Furlong-ClancyDavid Scott’s SemioticsRobin FullerLa Liquéfaction de la marqueBenoît HeilbrunnTwelve Stones ThrownLuke SheehanPeter Rice: Performing InstabilityGreg KerrThe Boxing Match in the Argonautica of Apollonius of RhodesClaudio Sansone(De)Facing the Suburbs[1]: Street Art and the Politics of Spatial Affect[2] in the Paris banlieuesGillian Jein‘Mais où va donc mon sonnet ?’: Verlaine and the Fixed Form of PetrarchAlan EnglishFowl Murder and Art in Marcel Proust’s À la recherche du temps perduÁine LarkinEkphrastic reimaginings of Landscape with the Fall of Icarus: Revisiting Butor through Auden and WilliamsElizabeth Geary KeohaneLe Détournement du Mythe de Salomé chez Claude CahunLissia AmachHOMEFriday, June 12, 2015Alex Bradley
