Twelve Stones ThrownLuke SheehanDavid Scott’s SemioticsRobin FullerFowl Murder and Art in Marcel Proust’s À la recherche du temps perduÁine Larkin‘M’introduire dans ton histoire’ / ‘Let me come into your story’Mags HarnettEkphrastic reimaginings of Landscape with the Fall of Icarus: Revisiting Butor through Auden and WilliamsElizabeth Geary KeohaneThe Boxing Match in the Argonautica of Apollonius of RhodesClaudio SansoneReading the Tarot in Nerval’s La Main enchantéeSarah GubbinsLe Détournement du Mythe de Salomé chez Claude CahunLissia AmachPeter Rice: Performing InstabilityGreg Kerr‘Mais où va donc mon sonnet ?’: Verlaine and the Fixed Form of PetrarchAlan EnglishLa Liquéfaction de la marqueBenoît Heilbrunn(De)Facing the Suburbs[1]: Street Art and the Politics of Spatial Affect[2] in the Paris banlieuesGillian JeinManet’s Selfie and the Baudelairean ParallaxRobert KilroyFashion and the Painting of Parisian Modernity: New academic and curatorial perspectivesSinéad Furlong-ClancyDeciphering the Gaze in Lacan’s ‘Of the Gaze as Objet Petit a’Maria ScottHOMEFriday, June 12, 2015Alex Bradley
