David Scott’s SemioticsRobin FullerPeter Rice: Performing InstabilityGreg KerrLe Détournement du Mythe de Salomé chez Claude CahunLissia Amach‘M’introduire dans ton histoire’ / ‘Let me come into your story’Mags HarnettFowl Murder and Art in Marcel Proust’s À la recherche du temps perduÁine LarkinEkphrastic reimaginings of Landscape with the Fall of Icarus: Revisiting Butor through Auden and WilliamsElizabeth Geary KeohaneReading the Tarot in Nerval’s La Main enchantéeSarah GubbinsFashion and the Painting of Parisian Modernity: New academic and curatorial perspectivesSinéad Furlong-Clancy(De)Facing the Suburbs[1]: Street Art and the Politics of Spatial Affect[2] in the Paris banlieuesGillian JeinTwelve Stones ThrownLuke Sheehan‘Mais où va donc mon sonnet ?’: Verlaine and the Fixed Form of PetrarchAlan EnglishThe Boxing Match in the Argonautica of Apollonius of RhodesClaudio SansoneDeciphering the Gaze in Lacan’s ‘Of the Gaze as Objet Petit a’Maria ScottManet’s Selfie and the Baudelairean ParallaxRobert KilroyLa Liquéfaction de la marqueBenoît HeilbrunnHOMEFriday, June 12, 2015Alex Bradley
