The Boxing Match in the Argonautica of Apollonius of RhodesClaudio SansoneReading the Tarot in Nerval’s La Main enchantéeSarah GubbinsDeciphering the Gaze in Lacan’s ‘Of the Gaze as Objet Petit a’Maria ScottFowl Murder and Art in Marcel Proust’s À la recherche du temps perduÁine LarkinLe Détournement du Mythe de Salomé chez Claude CahunLissia AmachFashion and the Painting of Parisian Modernity: New academic and curatorial perspectivesSinéad Furlong-ClancyEkphrastic reimaginings of Landscape with the Fall of Icarus: Revisiting Butor through Auden and WilliamsElizabeth Geary Keohane‘Mais où va donc mon sonnet ?’: Verlaine and the Fixed Form of PetrarchAlan EnglishLa Liquéfaction de la marqueBenoît HeilbrunnTwelve Stones ThrownLuke Sheehan‘M’introduire dans ton histoire’ / ‘Let me come into your story’Mags Harnett(De)Facing the Suburbs[1]: Street Art and the Politics of Spatial Affect[2] in the Paris banlieuesGillian JeinManet’s Selfie and the Baudelairean ParallaxRobert KilroyPeter Rice: Performing InstabilityGreg KerrDavid Scott’s SemioticsRobin FullerHOMEFriday, June 12, 2015Alex Bradley
