Fashion and the Painting of Parisian Modernity: New academic and curatorial perspectivesSinéad Furlong-ClancyFowl Murder and Art in Marcel Proust’s À la recherche du temps perduÁine LarkinLe Détournement du Mythe de Salomé chez Claude CahunLissia AmachTwelve Stones ThrownLuke SheehanDavid Scott’s SemioticsRobin FullerReading the Tarot in Nerval’s La Main enchantéeSarah GubbinsDeciphering the Gaze in Lacan’s ‘Of the Gaze as Objet Petit a’Maria ScottManet’s Selfie and the Baudelairean ParallaxRobert KilroyLa Liquéfaction de la marqueBenoît HeilbrunnEkphrastic reimaginings of Landscape with the Fall of Icarus: Revisiting Butor through Auden and WilliamsElizabeth Geary Keohane(De)Facing the Suburbs[1]: Street Art and the Politics of Spatial Affect[2] in the Paris banlieuesGillian Jein‘Mais où va donc mon sonnet ?’: Verlaine and the Fixed Form of PetrarchAlan EnglishThe Boxing Match in the Argonautica of Apollonius of RhodesClaudio SansonePeter Rice: Performing InstabilityGreg Kerr‘M’introduire dans ton histoire’ / ‘Let me come into your story’Mags HarnettHOMEFriday, June 12, 2015Alex Bradley
