‘Mais où va donc mon sonnet ?’: Verlaine and the Fixed Form of PetrarchAlan EnglishLa Liquéfaction de la marqueBenoît HeilbrunnManet’s Selfie and the Baudelairean ParallaxRobert KilroyDavid Scott’s SemioticsRobin FullerLe Détournement du Mythe de Salomé chez Claude CahunLissia Amach(De)Facing the Suburbs[1]: Street Art and the Politics of Spatial Affect[2] in the Paris banlieuesGillian Jein‘M’introduire dans ton histoire’ / ‘Let me come into your story’Mags HarnettThe Boxing Match in the Argonautica of Apollonius of RhodesClaudio SansoneReading the Tarot in Nerval’s La Main enchantéeSarah GubbinsEkphrastic reimaginings of Landscape with the Fall of Icarus: Revisiting Butor through Auden and WilliamsElizabeth Geary KeohaneFashion and the Painting of Parisian Modernity: New academic and curatorial perspectivesSinéad Furlong-ClancyTwelve Stones ThrownLuke SheehanFowl Murder and Art in Marcel Proust’s À la recherche du temps perduÁine LarkinDeciphering the Gaze in Lacan’s ‘Of the Gaze as Objet Petit a’Maria ScottPeter Rice: Performing InstabilityGreg KerrHOMEFriday, June 12, 2015Alex Bradley
