Fashion and the Painting of Parisian Modernity: New academic and curatorial perspectivesSinéad Furlong-ClancyManet’s Selfie and the Baudelairean ParallaxRobert KilroyTwelve Stones ThrownLuke SheehanLa Liquéfaction de la marqueBenoît HeilbrunnLe Détournement du Mythe de Salomé chez Claude CahunLissia AmachThe Boxing Match in the Argonautica of Apollonius of RhodesClaudio SansoneEkphrastic reimaginings of Landscape with the Fall of Icarus: Revisiting Butor through Auden and WilliamsElizabeth Geary Keohane‘Mais où va donc mon sonnet ?’: Verlaine and the Fixed Form of PetrarchAlan English‘M’introduire dans ton histoire’ / ‘Let me come into your story’Mags HarnettDavid Scott’s SemioticsRobin Fuller(De)Facing the Suburbs[1]: Street Art and the Politics of Spatial Affect[2] in the Paris banlieuesGillian JeinReading the Tarot in Nerval’s La Main enchantéeSarah GubbinsFowl Murder and Art in Marcel Proust’s À la recherche du temps perduÁine LarkinDeciphering the Gaze in Lacan’s ‘Of the Gaze as Objet Petit a’Maria ScottPeter Rice: Performing InstabilityGreg KerrHOMEFriday, June 12, 2015Alex Bradley
