‘M’introduire dans ton histoire’ / ‘Let me come into your story’Mags HarnettLe Détournement du Mythe de Salomé chez Claude CahunLissia AmachThe Boxing Match in the Argonautica of Apollonius of RhodesClaudio SansoneEkphrastic reimaginings of Landscape with the Fall of Icarus: Revisiting Butor through Auden and WilliamsElizabeth Geary KeohaneDeciphering the Gaze in Lacan’s ‘Of the Gaze as Objet Petit a’Maria ScottTwelve Stones ThrownLuke SheehanManet’s Selfie and the Baudelairean ParallaxRobert KilroyPeter Rice: Performing InstabilityGreg KerrDavid Scott’s SemioticsRobin FullerFowl Murder and Art in Marcel Proust’s À la recherche du temps perduÁine Larkin‘Mais où va donc mon sonnet ?’: Verlaine and the Fixed Form of PetrarchAlan EnglishLa Liquéfaction de la marqueBenoît HeilbrunnFashion and the Painting of Parisian Modernity: New academic and curatorial perspectivesSinéad Furlong-ClancyReading the Tarot in Nerval’s La Main enchantéeSarah Gubbins(De)Facing the Suburbs[1]: Street Art and the Politics of Spatial Affect[2] in the Paris banlieuesGillian JeinHOMEFriday, June 12, 2015Alex Bradley
