Manet’s Selfie and the Baudelairean ParallaxRobert KilroyLe Détournement du Mythe de Salomé chez Claude CahunLissia AmachDavid Scott’s SemioticsRobin FullerFowl Murder and Art in Marcel Proust’s À la recherche du temps perduÁine LarkinReading the Tarot in Nerval’s La Main enchantéeSarah GubbinsLa Liquéfaction de la marqueBenoît HeilbrunnFashion and the Painting of Parisian Modernity: New academic and curatorial perspectivesSinéad Furlong-ClancyTwelve Stones ThrownLuke Sheehan(De)Facing the Suburbs[1]: Street Art and the Politics of Spatial Affect[2] in the Paris banlieuesGillian JeinDeciphering the Gaze in Lacan’s ‘Of the Gaze as Objet Petit a’Maria ScottPeter Rice: Performing InstabilityGreg Kerr‘Mais où va donc mon sonnet ?’: Verlaine and the Fixed Form of PetrarchAlan EnglishEkphrastic reimaginings of Landscape with the Fall of Icarus: Revisiting Butor through Auden and WilliamsElizabeth Geary Keohane‘M’introduire dans ton histoire’ / ‘Let me come into your story’Mags HarnettThe Boxing Match in the Argonautica of Apollonius of RhodesClaudio SansoneHOMEFriday, June 12, 2015Alex Bradley
