Reading the Tarot in Nerval’s La Main enchantéeSarah Gubbins‘Mais où va donc mon sonnet ?’: Verlaine and the Fixed Form of PetrarchAlan EnglishTwelve Stones ThrownLuke SheehanManet’s Selfie and the Baudelairean ParallaxRobert Kilroy(De)Facing the Suburbs[1]: Street Art and the Politics of Spatial Affect[2] in the Paris banlieuesGillian Jein‘M’introduire dans ton histoire’ / ‘Let me come into your story’Mags HarnettPeter Rice: Performing InstabilityGreg KerrThe Boxing Match in the Argonautica of Apollonius of RhodesClaudio SansoneDavid Scott’s SemioticsRobin FullerEkphrastic reimaginings of Landscape with the Fall of Icarus: Revisiting Butor through Auden and WilliamsElizabeth Geary KeohaneLe Détournement du Mythe de Salomé chez Claude CahunLissia AmachLa Liquéfaction de la marqueBenoît HeilbrunnFowl Murder and Art in Marcel Proust’s À la recherche du temps perduÁine LarkinFashion and the Painting of Parisian Modernity: New academic and curatorial perspectivesSinéad Furlong-ClancyDeciphering the Gaze in Lacan’s ‘Of the Gaze as Objet Petit a’Maria ScottHOMEFriday, June 12, 2015Alex Bradley
