Fashion and the Painting of Parisian Modernity: New academic and curatorial perspectivesSinéad Furlong-ClancyTwelve Stones ThrownLuke SheehanReading the Tarot in Nerval’s La Main enchantéeSarah GubbinsDeciphering the Gaze in Lacan’s ‘Of the Gaze as Objet Petit a’Maria ScottLa Liquéfaction de la marqueBenoît Heilbrunn‘Mais où va donc mon sonnet ?’: Verlaine and the Fixed Form of PetrarchAlan EnglishThe Boxing Match in the Argonautica of Apollonius of RhodesClaudio SansonePeter Rice: Performing InstabilityGreg KerrEkphrastic reimaginings of Landscape with the Fall of Icarus: Revisiting Butor through Auden and WilliamsElizabeth Geary KeohaneLe Détournement du Mythe de Salomé chez Claude CahunLissia Amach‘M’introduire dans ton histoire’ / ‘Let me come into your story’Mags Harnett(De)Facing the Suburbs[1]: Street Art and the Politics of Spatial Affect[2] in the Paris banlieuesGillian JeinFowl Murder and Art in Marcel Proust’s À la recherche du temps perduÁine LarkinDavid Scott’s SemioticsRobin FullerManet’s Selfie and the Baudelairean ParallaxRobert KilroyHOMEFriday, June 12, 2015Alex Bradley
