‘Mais où va donc mon sonnet ?’: Verlaine and the Fixed Form of PetrarchAlan EnglishLe Détournement du Mythe de Salomé chez Claude CahunLissia AmachLa Liquéfaction de la marqueBenoît HeilbrunnManet’s Selfie and the Baudelairean ParallaxRobert KilroyDeciphering the Gaze in Lacan’s ‘Of the Gaze as Objet Petit a’Maria Scott‘M’introduire dans ton histoire’ / ‘Let me come into your story’Mags HarnettFashion and the Painting of Parisian Modernity: New academic and curatorial perspectivesSinéad Furlong-ClancyDavid Scott’s SemioticsRobin FullerEkphrastic reimaginings of Landscape with the Fall of Icarus: Revisiting Butor through Auden and WilliamsElizabeth Geary KeohaneThe Boxing Match in the Argonautica of Apollonius of RhodesClaudio SansoneTwelve Stones ThrownLuke SheehanReading the Tarot in Nerval’s La Main enchantéeSarah Gubbins(De)Facing the Suburbs[1]: Street Art and the Politics of Spatial Affect[2] in the Paris banlieuesGillian JeinFowl Murder and Art in Marcel Proust’s À la recherche du temps perduÁine LarkinPeter Rice: Performing InstabilityGreg KerrHOMEFriday, June 12, 2015Alex Bradley
