Le Détournement du Mythe de Salomé chez Claude CahunLissia AmachFashion and the Painting of Parisian Modernity: New academic and curatorial perspectivesSinéad Furlong-Clancy‘M’introduire dans ton histoire’ / ‘Let me come into your story’Mags HarnettDavid Scott’s SemioticsRobin FullerFowl Murder and Art in Marcel Proust’s À la recherche du temps perduÁine LarkinManet’s Selfie and the Baudelairean ParallaxRobert KilroyReading the Tarot in Nerval’s La Main enchantéeSarah GubbinsTwelve Stones ThrownLuke SheehanPeter Rice: Performing InstabilityGreg KerrDeciphering the Gaze in Lacan’s ‘Of the Gaze as Objet Petit a’Maria ScottLa Liquéfaction de la marqueBenoît HeilbrunnEkphrastic reimaginings of Landscape with the Fall of Icarus: Revisiting Butor through Auden and WilliamsElizabeth Geary KeohaneThe Boxing Match in the Argonautica of Apollonius of RhodesClaudio Sansone(De)Facing the Suburbs[1]: Street Art and the Politics of Spatial Affect[2] in the Paris banlieuesGillian Jein‘Mais où va donc mon sonnet ?’: Verlaine and the Fixed Form of PetrarchAlan EnglishHOMEFriday, June 12, 2015Alex Bradley
