‘M’introduire dans ton histoire’ / ‘Let me come into your story’Mags HarnettFowl Murder and Art in Marcel Proust’s À la recherche du temps perduÁine LarkinPeter Rice: Performing InstabilityGreg KerrLa Liquéfaction de la marqueBenoît HeilbrunnManet’s Selfie and the Baudelairean ParallaxRobert KilroyEkphrastic reimaginings of Landscape with the Fall of Icarus: Revisiting Butor through Auden and WilliamsElizabeth Geary KeohaneReading the Tarot in Nerval’s La Main enchantéeSarah GubbinsFashion and the Painting of Parisian Modernity: New academic and curatorial perspectivesSinéad Furlong-ClancyLe Détournement du Mythe de Salomé chez Claude CahunLissia AmachThe Boxing Match in the Argonautica of Apollonius of RhodesClaudio Sansone(De)Facing the Suburbs[1]: Street Art and the Politics of Spatial Affect[2] in the Paris banlieuesGillian Jein‘Mais où va donc mon sonnet ?’: Verlaine and the Fixed Form of PetrarchAlan EnglishTwelve Stones ThrownLuke SheehanDavid Scott’s SemioticsRobin FullerDeciphering the Gaze in Lacan’s ‘Of the Gaze as Objet Petit a’Maria ScottHOMEFriday, June 12, 2015Alex Bradley
