La Liquéfaction de la marqueBenoît HeilbrunnFashion and the Painting of Parisian Modernity: New academic and curatorial perspectivesSinéad Furlong-ClancyThe Boxing Match in the Argonautica of Apollonius of RhodesClaudio SansoneFowl Murder and Art in Marcel Proust’s À la recherche du temps perduÁine LarkinDeciphering the Gaze in Lacan’s ‘Of the Gaze as Objet Petit a’Maria ScottManet’s Selfie and the Baudelairean ParallaxRobert KilroyReading the Tarot in Nerval’s La Main enchantéeSarah GubbinsPeter Rice: Performing InstabilityGreg KerrLe Détournement du Mythe de Salomé chez Claude CahunLissia AmachTwelve Stones ThrownLuke Sheehan‘Mais où va donc mon sonnet ?’: Verlaine and the Fixed Form of PetrarchAlan English‘M’introduire dans ton histoire’ / ‘Let me come into your story’Mags HarnettEkphrastic reimaginings of Landscape with the Fall of Icarus: Revisiting Butor through Auden and WilliamsElizabeth Geary Keohane(De)Facing the Suburbs[1]: Street Art and the Politics of Spatial Affect[2] in the Paris banlieuesGillian JeinDavid Scott’s SemioticsRobin FullerHOMEFriday, June 12, 2015Alex Bradley
