Deciphering the Gaze in Lacan’s ‘Of the Gaze as Objet Petit a’Maria Scott‘M’introduire dans ton histoire’ / ‘Let me come into your story’Mags Harnett(De)Facing the Suburbs[1]: Street Art and the Politics of Spatial Affect[2] in the Paris banlieuesGillian JeinThe Boxing Match in the Argonautica of Apollonius of RhodesClaudio Sansone‘Mais où va donc mon sonnet ?’: Verlaine and the Fixed Form of PetrarchAlan EnglishEkphrastic reimaginings of Landscape with the Fall of Icarus: Revisiting Butor through Auden and WilliamsElizabeth Geary KeohaneTwelve Stones ThrownLuke SheehanReading the Tarot in Nerval’s La Main enchantéeSarah GubbinsFowl Murder and Art in Marcel Proust’s À la recherche du temps perduÁine LarkinFashion and the Painting of Parisian Modernity: New academic and curatorial perspectivesSinéad Furlong-ClancyLe Détournement du Mythe de Salomé chez Claude CahunLissia AmachLa Liquéfaction de la marqueBenoît HeilbrunnPeter Rice: Performing InstabilityGreg KerrDavid Scott’s SemioticsRobin FullerManet’s Selfie and the Baudelairean ParallaxRobert KilroyHOMEFriday, June 12, 2015Alex Bradley
