Fowl Murder and Art in Marcel Proust’s À la recherche du temps perduÁine LarkinManet’s Selfie and the Baudelairean ParallaxRobert KilroyEkphrastic reimaginings of Landscape with the Fall of Icarus: Revisiting Butor through Auden and WilliamsElizabeth Geary Keohane(De)Facing the Suburbs[1]: Street Art and the Politics of Spatial Affect[2] in the Paris banlieuesGillian JeinFashion and the Painting of Parisian Modernity: New academic and curatorial perspectivesSinéad Furlong-ClancyLe Détournement du Mythe de Salomé chez Claude CahunLissia AmachPeter Rice: Performing InstabilityGreg KerrDavid Scott’s SemioticsRobin Fuller‘Mais où va donc mon sonnet ?’: Verlaine and the Fixed Form of PetrarchAlan EnglishThe Boxing Match in the Argonautica of Apollonius of RhodesClaudio SansoneLa Liquéfaction de la marqueBenoît HeilbrunnDeciphering the Gaze in Lacan’s ‘Of the Gaze as Objet Petit a’Maria ScottTwelve Stones ThrownLuke Sheehan‘M’introduire dans ton histoire’ / ‘Let me come into your story’Mags HarnettReading the Tarot in Nerval’s La Main enchantéeSarah GubbinsHOMEFriday, June 12, 2015Alex Bradley
