La Liquéfaction de la marqueBenoît HeilbrunnDeciphering the Gaze in Lacan’s ‘Of the Gaze as Objet Petit a’Maria ScottLe Détournement du Mythe de Salomé chez Claude CahunLissia AmachDavid Scott’s SemioticsRobin FullerFowl Murder and Art in Marcel Proust’s À la recherche du temps perduÁine Larkin‘M’introduire dans ton histoire’ / ‘Let me come into your story’Mags HarnettFashion and the Painting of Parisian Modernity: New academic and curatorial perspectivesSinéad Furlong-ClancyPeter Rice: Performing InstabilityGreg Kerr‘Mais où va donc mon sonnet ?’: Verlaine and the Fixed Form of PetrarchAlan EnglishManet’s Selfie and the Baudelairean ParallaxRobert KilroyReading the Tarot in Nerval’s La Main enchantéeSarah GubbinsThe Boxing Match in the Argonautica of Apollonius of RhodesClaudio SansoneTwelve Stones ThrownLuke SheehanEkphrastic reimaginings of Landscape with the Fall of Icarus: Revisiting Butor through Auden and WilliamsElizabeth Geary Keohane(De)Facing the Suburbs[1]: Street Art and the Politics of Spatial Affect[2] in the Paris banlieuesGillian JeinHOMEFriday, June 12, 2015Alex Bradley
