Ekphrastic reimaginings of Landscape with the Fall of Icarus: Revisiting Butor through Auden and WilliamsElizabeth Geary Keohane‘Mais où va donc mon sonnet ?’: Verlaine and the Fixed Form of PetrarchAlan EnglishDavid Scott’s SemioticsRobin FullerTwelve Stones ThrownLuke SheehanThe Boxing Match in the Argonautica of Apollonius of RhodesClaudio SansoneFashion and the Painting of Parisian Modernity: New academic and curatorial perspectivesSinéad Furlong-Clancy(De)Facing the Suburbs[1]: Street Art and the Politics of Spatial Affect[2] in the Paris banlieuesGillian JeinLe Détournement du Mythe de Salomé chez Claude CahunLissia AmachReading the Tarot in Nerval’s La Main enchantéeSarah Gubbins‘M’introduire dans ton histoire’ / ‘Let me come into your story’Mags HarnettFowl Murder and Art in Marcel Proust’s À la recherche du temps perduÁine LarkinPeter Rice: Performing InstabilityGreg KerrManet’s Selfie and the Baudelairean ParallaxRobert KilroyDeciphering the Gaze in Lacan’s ‘Of the Gaze as Objet Petit a’Maria ScottLa Liquéfaction de la marqueBenoît HeilbrunnHOMEFriday, June 12, 2015Alex Bradley
