Ekphrastic reimaginings of Landscape with the Fall of Icarus: Revisiting Butor through Auden and WilliamsElizabeth Geary Keohane‘Mais où va donc mon sonnet ?’: Verlaine and the Fixed Form of PetrarchAlan EnglishTwelve Stones ThrownLuke SheehanFashion and the Painting of Parisian Modernity: New academic and curatorial perspectivesSinéad Furlong-ClancyDeciphering the Gaze in Lacan’s ‘Of the Gaze as Objet Petit a’Maria ScottManet’s Selfie and the Baudelairean ParallaxRobert KilroyPeter Rice: Performing InstabilityGreg KerrLe Détournement du Mythe de Salomé chez Claude CahunLissia AmachThe Boxing Match in the Argonautica of Apollonius of RhodesClaudio SansoneFowl Murder and Art in Marcel Proust’s À la recherche du temps perduÁine LarkinReading the Tarot in Nerval’s La Main enchantéeSarah Gubbins‘M’introduire dans ton histoire’ / ‘Let me come into your story’Mags HarnettDavid Scott’s SemioticsRobin FullerLa Liquéfaction de la marqueBenoît Heilbrunn(De)Facing the Suburbs[1]: Street Art and the Politics of Spatial Affect[2] in the Paris banlieuesGillian JeinHOMEFriday, June 12, 2015Alex Bradley
