Le Détournement du Mythe de Salomé chez Claude CahunLissia AmachThe Boxing Match in the Argonautica of Apollonius of RhodesClaudio SansoneDeciphering the Gaze in Lacan’s ‘Of the Gaze as Objet Petit a’Maria ScottManet’s Selfie and the Baudelairean ParallaxRobert KilroyFashion and the Painting of Parisian Modernity: New academic and curatorial perspectivesSinéad Furlong-ClancyLa Liquéfaction de la marqueBenoît HeilbrunnDavid Scott’s SemioticsRobin FullerReading the Tarot in Nerval’s La Main enchantéeSarah GubbinsTwelve Stones ThrownLuke SheehanPeter Rice: Performing InstabilityGreg Kerr‘Mais où va donc mon sonnet ?’: Verlaine and the Fixed Form of PetrarchAlan EnglishFowl Murder and Art in Marcel Proust’s À la recherche du temps perduÁine Larkin(De)Facing the Suburbs[1]: Street Art and the Politics of Spatial Affect[2] in the Paris banlieuesGillian Jein‘M’introduire dans ton histoire’ / ‘Let me come into your story’Mags HarnettEkphrastic reimaginings of Landscape with the Fall of Icarus: Revisiting Butor through Auden and WilliamsElizabeth Geary KeohaneHOMEFriday, June 12, 2015Alex Bradley
