Fowl Murder and Art in Marcel Proust’s À la recherche du temps perduÁine LarkinReading the Tarot in Nerval’s La Main enchantéeSarah GubbinsFashion and the Painting of Parisian Modernity: New academic and curatorial perspectivesSinéad Furlong-ClancyDavid Scott’s SemioticsRobin Fuller(De)Facing the Suburbs[1]: Street Art and the Politics of Spatial Affect[2] in the Paris banlieuesGillian JeinTwelve Stones ThrownLuke Sheehan‘M’introduire dans ton histoire’ / ‘Let me come into your story’Mags HarnettDeciphering the Gaze in Lacan’s ‘Of the Gaze as Objet Petit a’Maria ScottLa Liquéfaction de la marqueBenoît HeilbrunnManet’s Selfie and the Baudelairean ParallaxRobert KilroyThe Boxing Match in the Argonautica of Apollonius of RhodesClaudio SansonePeter Rice: Performing InstabilityGreg KerrLe Détournement du Mythe de Salomé chez Claude CahunLissia AmachEkphrastic reimaginings of Landscape with the Fall of Icarus: Revisiting Butor through Auden and WilliamsElizabeth Geary Keohane‘Mais où va donc mon sonnet ?’: Verlaine and the Fixed Form of PetrarchAlan EnglishHOMEFriday, June 12, 2015Alex Bradley
