La Liquéfaction de la marqueBenoît HeilbrunnFowl Murder and Art in Marcel Proust’s À la recherche du temps perduÁine LarkinLe Détournement du Mythe de Salomé chez Claude CahunLissia AmachManet’s Selfie and the Baudelairean ParallaxRobert KilroyDavid Scott’s SemioticsRobin FullerFashion and the Painting of Parisian Modernity: New academic and curatorial perspectivesSinéad Furlong-ClancyReading the Tarot in Nerval’s La Main enchantéeSarah GubbinsThe Boxing Match in the Argonautica of Apollonius of RhodesClaudio SansoneDeciphering the Gaze in Lacan’s ‘Of the Gaze as Objet Petit a’Maria ScottEkphrastic reimaginings of Landscape with the Fall of Icarus: Revisiting Butor through Auden and WilliamsElizabeth Geary KeohaneTwelve Stones ThrownLuke Sheehan‘M’introduire dans ton histoire’ / ‘Let me come into your story’Mags HarnettPeter Rice: Performing InstabilityGreg Kerr(De)Facing the Suburbs[1]: Street Art and the Politics of Spatial Affect[2] in the Paris banlieuesGillian Jein‘Mais où va donc mon sonnet ?’: Verlaine and the Fixed Form of PetrarchAlan EnglishHOMEFriday, June 12, 2015Alex Bradley
